October 2014
Author of two book-length narrative poems, THE ADVENTURE and HAPPINESS, both published by Story Line Press. Other poems in print and online journals. Adjunct professor creative writing George Washington University.
He Had Many Castles
This one was by a lake.
Mountains would have been nice, but
there was only the lake, and a forest
from which had come his bed, parquet, and gallows.
Beyond lay his villages and farms.
It was hot. We wandered back inside.
Portraits along the stairwell showed
the chin he married into, the nose he brought.
Again we admired silver, porcelain,
armor, tiles and other art,
reminding ourselves that memory
edits out discomfort
and boredom, injects richness.
Concentrate on colors, the graceful angles.
Fix them in your mind.
On our flight home, GM went bust;
the mortgage market started to unravel.
We became older, more crotchety,
and no longer able to travel.
Charisma
As he spoke, the IQ
of his class diminished.
When he reached the tenth minute
they had forgotten five.
As he finished that sentence
they lost its beginning.
When he started the next,
they would have been texting
if he had not forbidden
“gadgets.” And as
his periods became
more classical (“convoluted,”
they would have said
if they could still speak), more
subtle, judicious
and synergetic, they could
think only of bodies,
sun and beaches,
beer, their debts,
neurotic obsessions,
and of that grail of students,
sleep. And as the kindly,
insightful voice droned on,
they saw a bridge
to the end of their lives,
all monies earned and spent, the final
wheelchairs, talk-shows, rage.
He was pleased, justifiably,
with the lecture, although
he knew he had lost them;
which matters, finally,
less than lucidity.
Towards Closure
Hobbling back from a specialist
in Chevy Chase I see
the first holographic window-display,
in that building where Bally, Gucci, Jimmy Choo
and others each have their own street door
and madly distinct façade. She’s eight feet tall,
selling swimwear – a sort of flouncy
bikini – with a shark-gun
at port arms. Not a movie
but more alive than life,
especially the incandescent
gold of the perfect legs. The look
fits neither of the standards I remember:
“as if someone had said to you, Here,
hold this jellyfish” (which a model described), or Marilyn’s
“Imagine you’re starving
and suddenly there’s this big steak.” Just a smile –
blonde, perhaps nearsighted; but
she’s eight feet tall. And helplessly, slowly, I,
even I, approach, attempt eye-contact,
and wonder in the back brain
whether she’s thinking “loser” or “nice person.”
_____________________________________________________________________
The Room
Balthus, c.1953
o/c - 335 x 270.5 cm
Private Collection
Without the light, the cat
alarmed now on a book
on a side table might
have crossed to the hand
still dangling from chaise
to floor, to see
if it would scratch or stroke,
asleep. What might have happened
with more dark? What not?
The pitcher and basin
now dully themselves
amidst expiring shadow might
have held different water
to bathe the pale sleeper.
But a censorious dwarf
with helmet-like brow
and pyramidal skirt,
her eyes and lips cruel hyphens,
is drawing back the drapes
in tiny envious fists
to admit time and color.
And the book is sealed beneath its guardian.
alarmed now on a book
on a side table might
have crossed to the hand
still dangling from chaise
to floor, to see
if it would scratch or stroke,
asleep. What might have happened
with more dark? What not?
The pitcher and basin
now dully themselves
amidst expiring shadow might
have held different water
to bathe the pale sleeper.
But a censorious dwarf
with helmet-like brow
and pyramidal skirt,
her eyes and lips cruel hyphens,
is drawing back the drapes
in tiny envious fists
to admit time and color.
And the book is sealed beneath its guardian.
___________________________________________________________________
Prince of the Rainy Country
In his mind he composed reviews
of books that never existed,
thus wasting valueless time.
Philosophies grandly, cavalierly
mystical, whose methods
no one would ever follow; odes
to revolutionaries and authorities
not of this world –
works he, the Prince, had imagined
and no sooner imagined than reviewed.
Meanwhile the rain swelled
cell-walls in the already swampy forests;
endlessly peasants
rehearsed their submission, making it exact.
When a rotting wheel fell from a rotted cart
the drayman stared, and on his throne,
attended by peacocks, eunuchs, and blind spies,
the King wept –
believing in his madness
his madness was the rain. Drawing his
cowl over his crown, the Prince
went off to inspect the battlements,
where a noble sardonic soldier
pointed out
a darker cloud investing the horizon.
“It is death,” sighed the Prince. Said the soldier,
“No – only the enemy.
Whatever isn’t death is not yet death
and should, I believe, be welcomed.”
In the mist, the Prince stood silent and amazed,
having neither expected wisdom
nor yearned for it like the sun.
Oz
He enters a room and rivals
who loathe him, exes and lovers,
slavish or promising
followers, and people who just want
an autograph, an interview,
or poems for a new
journal approach him. Why, he wonders,
do we say “center of attention”?
Attention is all. Without
effort he puts on
attentiveness, self-extrication,
wit and occasional interest,
engaging only with friends or absent friends,
thinking as he should he should be working,
and that events are boring
though preferable to other available boredom.
And reflects for a moment that someone else
will never approach this room,
or is here only to drink
in a corner, too sour to speak.
Will never experience eyes upon him, wanting,
resentful, hopeful, except perhaps
in a classroom, that inadequate noble
proxy. Will return to his work,
as if loser and winner
could meet on the plane of work, and the loser win
or forget winning ... At which point the successful
poet recalls
Lermontov: does the wounded, dying
lieutenant imagine himself at a ball
in St. Petersburg, or vice versa?
It’s the classic modern theme, he considers, sighing.
Breakthrough
Harvard, Starlab, and Axilium Robotics
have successfully transmitted
binary signals directly
from one brain, in India, to another,
in France. In a sense,
that of fear, I was there.
Inane ineluctable voices
at once began to commend
Jesus, gold purchases,
our troops, staying calm.
The synaptic current that carries
whatever it is, critique,
resistance, metaphor towards
the surface is slower,
diffused before it gets there,
and leaves an urge to merge.
All love in future will be love of what
despises, uses, and can’t
perceive you. But it will always be hopeful –
belligerently so,
like Adam before Creation crying,
Who’s gonna make me?
©2014 Frederick Pollack