November 2014
Gail Fishman Gerwin
gail@chayacairnpress.com
gail@chayacairnpress.com
To write poetry is a major risk. It occurs to me that although many have told me (no, not just my family) how they identify with the narrator (me), care about her experiences (mine), want to know more about her grandchildren (here’s a photo), they may decide to put down my books (Sugar and Sand, finalist, 2010 Paterson Poetry Prize, and 2013 Paterson Award for Literary Excellence designee Dear Kinfolk,) before reading to the end. That’s okay. I’m old enough not to care. I need to write. Yes, my poems appear in journals but I need to tell my stories so those beautiful grandchildren (are you sure you don’t want to look at the photo?) can hold a piece of me in their hands and hearts and will be able to say, “Look, my nana wrote this.” Check out my website www.chayacairnpress.com and see additional poetry at http://thelochravenreview.net/gail-fishman-gerwin/, and at yourdailypoem.com (search GERWIN). I enjoy reading my work aloud and facilitating writing workshops.
Parking 101
for Brandon
Last space, two white lines.
Easy.
Two white lines, park here,
pull between two white lines,
easy, basketball boy in the
back seat, raindrops the size of
Liz Taylor gems pelt the roof.
I’m in.
Get out of the car
get out of the car
Look. I’m on the left line.
Get into the car
get into the car.
Belt in, hurry hurry, late late.
Back up, slow down, watch the van
on the right, car behind wants the space.
No way.
Belt in belt in, pull up between
two lines. Easy. Unbelt, get out of the car,
rain, umbrella, slam doors.
Look—on the right line now.
How?
Get into the car, belt in,
hurry hurry, late late.
Third try, pull in—done.
I ask him, when you are old enough to drive,
do you want me to teach you how to park?
His eyes roll back behind his eight-year-old
forehead. I’d rather be taught by a duck, he says.
Driven
Best of Luck and Drive Right, Art Jocher
—yearbook autograph, EHS
When I was sixteen I sat behind the wheel
of a blue Chevrolet, property of Eastside High.
Atop the car, a rectangular sign--STUDENT DRIVER,
KEEP BACK, like post office most-wanteds.
Duplicate gas pedals and brakes connected drivers
to Mr. Jocher, who doubled as a football coach.
Three students to a session (two cowering in back
without the benefit of seat belts) awaited turns
to ply the streets of Paterson, time out from Trig,
American History, time to gain enough experience
for learner permits by our next birthdays. When we
reached a curve, downshifted into second, all inside
listed to the right, to the left, while Mr. Jocher called
Brake Brake BRAKE, his face red—with what?
Anger? Fear? Chest Pain? We’d head for the Tenth Avenue
Circle, a high note in the song of a city filled with prosperity,
its schools nesting grounds for a generation that left without a
gaze backward. By the end of a forty-minute drive—Mr. Jocher:
clothed in the sweat we’d caused. Park Park PARK,
he barked as we navigated between trash cans he’d arranged
outside the gym. He’d amble away, a little wobbly, no
goodbyes, to rest up for his next outing, unaware of how well
he’d prepared us for the lifetime of miles we would encounter.
—from Dear Kinfolk
The Parade
Through the front door marched
a parade of young men, dispatched
by friends and solicitous relatives who
feared my barren spinsterhood.
An architect who doubled as a concert
pianist, a lawyer with the world’s fattest feet,
a giant with frizzed curls the color of fizzy
champagne, a doctor whose height allowed me
to inspect his hairy ears while dancing.
Dinner dates, steak house along the Palisades,
pasta palace that called itself Chateau, famed
Luchow’s where an oompah band accompanied
my endless boredom, Chinatown, where the
hematologist with spittle running down his chin said
I take all my blind dates here because it’s cheap.
The parade went on for years, now and again requiring
that I export myself to upstate New York where my
married sister and Aunt Helen lined up prospect
One summer day, heeding my internal marching band,
I met a winking young man from Iowa who lived just
a floor below in my high rise. The next year, a parade
of bridesmaids and groomsmen preceded my walk to destiny.
When we gathered in upstate New York to memorialize
Aunt Helen, my Aunt Regina told my husband how lucky
I was, what a service he had done for the family,
we thought she’d never find anyone, she said.
-from Sugar and Sand
Are We Done Yet?
When our daughter was four
we lit Chanukah candles atop
the Lane record cabinet, our first
purchase as a married couple.
In our new home we could look
out the window at the house below,
where the Todds’ Christmas tree stood
in their den, where lights of every color
led to a star on top that seemed
to descend directly from Heaven.
We chanted our prayers,
Barukh atah Adonai, Eloheinu,
melekh ha'olam, allowed Karen
to hold the shamash—the kindling
candle—for her first time, hustled Katey
to the other side of the room lest she
light up her pajamas. Our ritual complete,
we gifted them: a doll, a book, matching
jumpers, then sang songs from preschool.
Dinner, I told everyone, the greasy
latkes—fried potato pancakes—
already blackened at the edges
as they sat in oil on the new gold
General Electric range.
Wait, Mommy, I have a question,
Karen said, what’s that in the window
over there? I tell her it’s a Christmas tree.
Why don’t we have a Christmas tree?
Because we’re Jewish, I said. She wanted
to know then, before eating the
brisket cut into small pieces so she
wouldn’t choke, before crunching
the latkes, now on the edge of soggy,
When will we be finished being Jewish?
-from Dear Kinfolk
for Brandon
Last space, two white lines.
Easy.
Two white lines, park here,
pull between two white lines,
easy, basketball boy in the
back seat, raindrops the size of
Liz Taylor gems pelt the roof.
I’m in.
Get out of the car
get out of the car
Look. I’m on the left line.
Get into the car
get into the car.
Belt in, hurry hurry, late late.
Back up, slow down, watch the van
on the right, car behind wants the space.
No way.
Belt in belt in, pull up between
two lines. Easy. Unbelt, get out of the car,
rain, umbrella, slam doors.
Look—on the right line now.
How?
Get into the car, belt in,
hurry hurry, late late.
Third try, pull in—done.
I ask him, when you are old enough to drive,
do you want me to teach you how to park?
His eyes roll back behind his eight-year-old
forehead. I’d rather be taught by a duck, he says.
Driven
Best of Luck and Drive Right, Art Jocher
—yearbook autograph, EHS
When I was sixteen I sat behind the wheel
of a blue Chevrolet, property of Eastside High.
Atop the car, a rectangular sign--STUDENT DRIVER,
KEEP BACK, like post office most-wanteds.
Duplicate gas pedals and brakes connected drivers
to Mr. Jocher, who doubled as a football coach.
Three students to a session (two cowering in back
without the benefit of seat belts) awaited turns
to ply the streets of Paterson, time out from Trig,
American History, time to gain enough experience
for learner permits by our next birthdays. When we
reached a curve, downshifted into second, all inside
listed to the right, to the left, while Mr. Jocher called
Brake Brake BRAKE, his face red—with what?
Anger? Fear? Chest Pain? We’d head for the Tenth Avenue
Circle, a high note in the song of a city filled with prosperity,
its schools nesting grounds for a generation that left without a
gaze backward. By the end of a forty-minute drive—Mr. Jocher:
clothed in the sweat we’d caused. Park Park PARK,
he barked as we navigated between trash cans he’d arranged
outside the gym. He’d amble away, a little wobbly, no
goodbyes, to rest up for his next outing, unaware of how well
he’d prepared us for the lifetime of miles we would encounter.
—from Dear Kinfolk
The Parade
Through the front door marched
a parade of young men, dispatched
by friends and solicitous relatives who
feared my barren spinsterhood.
An architect who doubled as a concert
pianist, a lawyer with the world’s fattest feet,
a giant with frizzed curls the color of fizzy
champagne, a doctor whose height allowed me
to inspect his hairy ears while dancing.
Dinner dates, steak house along the Palisades,
pasta palace that called itself Chateau, famed
Luchow’s where an oompah band accompanied
my endless boredom, Chinatown, where the
hematologist with spittle running down his chin said
I take all my blind dates here because it’s cheap.
The parade went on for years, now and again requiring
that I export myself to upstate New York where my
married sister and Aunt Helen lined up prospect
One summer day, heeding my internal marching band,
I met a winking young man from Iowa who lived just
a floor below in my high rise. The next year, a parade
of bridesmaids and groomsmen preceded my walk to destiny.
When we gathered in upstate New York to memorialize
Aunt Helen, my Aunt Regina told my husband how lucky
I was, what a service he had done for the family,
we thought she’d never find anyone, she said.
-from Sugar and Sand
Are We Done Yet?
When our daughter was four
we lit Chanukah candles atop
the Lane record cabinet, our first
purchase as a married couple.
In our new home we could look
out the window at the house below,
where the Todds’ Christmas tree stood
in their den, where lights of every color
led to a star on top that seemed
to descend directly from Heaven.
We chanted our prayers,
Barukh atah Adonai, Eloheinu,
melekh ha'olam, allowed Karen
to hold the shamash—the kindling
candle—for her first time, hustled Katey
to the other side of the room lest she
light up her pajamas. Our ritual complete,
we gifted them: a doll, a book, matching
jumpers, then sang songs from preschool.
Dinner, I told everyone, the greasy
latkes—fried potato pancakes—
already blackened at the edges
as they sat in oil on the new gold
General Electric range.
Wait, Mommy, I have a question,
Karen said, what’s that in the window
over there? I tell her it’s a Christmas tree.
Why don’t we have a Christmas tree?
Because we’re Jewish, I said. She wanted
to know then, before eating the
brisket cut into small pieces so she
wouldn’t choke, before crunching
the latkes, now on the edge of soggy,
When will we be finished being Jewish?
-from Dear Kinfolk
©2014 Gail Fishman Gerwin