February 2019
NOTE: I find that I have begun to be more and more like "the old" described by Faulkner in "A Rose for Emily," "to whom all the past is not a diminishing road but, instead, a huge meadow which no winter ever quite touches, divided from them now by the narrow bottle-neck of the most recent decade of years.” My childhood in New York is that "huge meadow."
My most recent book of poetry is Bird Flying through the Banquet (FutureCycle, 2017). For anyone interested, I also explore some aspects of growing up in an immigrant family in New York in my most recent essay, "Looking Back—Why I Stopped Writing Poetry and How I Started Again: Embracing the Authentic, Contingent Self,” Under the Sun, 6 (2018), http://underthesunonline.com/wordpress/2018/looking-back/
My most recent book of poetry is Bird Flying through the Banquet (FutureCycle, 2017). For anyone interested, I also explore some aspects of growing up in an immigrant family in New York in my most recent essay, "Looking Back—Why I Stopped Writing Poetry and How I Started Again: Embracing the Authentic, Contingent Self,” Under the Sun, 6 (2018), http://underthesunonline.com/wordpress/2018/looking-back/
Ex-New Yorker Remembers Her Natural Landscape
Fortress city—
houses cresting ridges
like battalions of horses,
battlements of near tenements—
flaming suns leaping
from window to window…
Tree-house city—how shocking my first sight
of Western towns, like knots in the ribbon
of the road, sediment in the cup
of sky
Infinite city—shocking their visible limits
crumbling into desert,
compared to your manifold crannies,
unvisited planets,
your range after dimly inhabited
range fuzzing into blue like mountains,
and beyond those your faint white
blur like cloudy space dense
with stars
Intimate city—greasy as dirt
under my nails, close as soot
on my eyelashes, as the secret odors
of plebeian and patrician thickening
in public washrooms, as their voices twanging
down my spine, spilling
entire histories, descents into hell,
recoveries
Vertiginous city—from your highest towers
other buildings lose
their moorings; thousands
of lanterns on swaying
ropes rock out of a fog
and far below, five o’clock tides
of dusky forests surge forward,
each tree moated by its inner
silence
and night falls fast,
so fast, piling up in steep
soft drifts, canceling
cornice, column, piling up
in streets of ash and embers
Oh my city of sorrows
First published in Poemeleon 1, Issue 1(2005).
Revisiting the Metaphysicals: Two Scenes
At the round earth’s imagin’d corners, blow
Your trumpets, Angells, and arise, arise
From death, you numberlesse infinities
Of soules…
–John Donne
In my dream I hear
one long shofar blast and my family
gathers—weakly kicking out of graves,
reassembling from the gritty dust
of outlawed urns—summoned
by my wildly cooking resurrected mother.
They sit haunch
to haunch in the chapel of her
kitchen: All whom…age, agues…despair…
hath slain, drinking her healing
broth, chewing her meats stewed
in their own juices, soup-to-nuts
revivified, transformed,
as I was in the chapel of Smith College--
in my plaid kilt with its fake
gold pin, my knee socks, my penny
loafers—sending forth
on my own young voice with the other
girls’ lifted voices, the lofty strains
of Protestant America, translated at last
from the crumbly Bronx
of brisket, kosher chickens, soup
greens, on the brink
of the Glory of my life.
First published in Poetica (Winter, 2009).
These Winter Nights
dandelions and splintered glass,
the bone man in the alley,
the tailor at his window,
shoulder blades like rigid wings—
strained, reduced,
a potent, a golden, broth.
First published in Images 14, No. 3 (1990).
© 2019 Judy Kronenfeld
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