April 2019
Michael Gessner
mjcg3@aol.com
mjcg3@aol.com
I live in Tucson with my wife Jane, a watercolorist. Our son Chris writes for screen in L.A. My more recent work has appeared in Ekphrastic Review, Juniper, (Toronto,) New Oxford Review, North American Review, Verse Daily, Innisfree Poetry Journal, and others. My most recent collections are Transversales (BlazeVOX, 2013,) Selected Poems (FutureCycle, 2016,) from which The Poetry Foundation selected several for its online archives. I enjoy writing articles and reviews and these may be found in Jacket2, The Edgar Allan Poe Review, NAR, The Kenyon Review, C. V. Mosby, Times-Mirror, and Allyn & Bacon Composition Series.
Author's Note: This poem is from "The Parisian Sequence" in Transversales, (2013, BlazeVOX, Buffalo, NY). I hope you enjoy it. I happen to have reread it the other day and noted consonance.
Author's Note: This poem is from "The Parisian Sequence" in Transversales, (2013, BlazeVOX, Buffalo, NY). I hope you enjoy it. I happen to have reread it the other day and noted consonance.
PÈRE LACHAISE
Leaves clatter down cobblestones like tin cups,
and empty souls move about the Sunday-children
who laugh and chase each other down
the cobblestones, chattering after themselves
they give a half-life to this city
of images, human and divine,
where no one lives, and no one dies,
where families collect their young
at the end of their visit, and leave this place
to the leaves that swirl in wheels . . .
When Mars, the Gorgons, Lamia,
and the warheads are sleeping,
and I am vacant, no longer thinking,
when all things are absent
you arrive, a ghost anthology written in the dark
of other lives; lovers and lovers’ art.
© 2019 Michael Gessner
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