October 2018
In 1976, I moved with my family to Fairbanks, Alaska to teach for a year in the creative writing program at the University of Alaska. I’m still there. I’ve published six books of poetry, as well as a collection of essays. My Collected Poems, 1965-2018 will be out next year. For more information, visit my website: www.johnmorganpoet.com
IN WHICH A TOTAL ECLIPSE OF THE MOON IS
ECLIPSED BY CLOUDS AND A WHITE-TAILED
DEER BOUNDS OFF INTO THE WOODS
Friend, I give you this consolation:
our losses die with us.
It was
only last week or last year
you had imagined a clear deep pool
where jewel-like fishes sat
in perfect understanding. Only the rain
disturbed their clarity, but when you returned to the spot
it was not the same: it was yourself
in whom that rich and tragic place
called up the need to back away and stare
on emptiness, dusky, elusive,
and somehow hostile to the whole you sought,
a whole which continued to vanish
as you crept up lasso in hand. Trepidatious.
Frankly, the night is much too shifty for us,
but if there is an answer
perhaps the children have seen it glancingly from their windows
during a moment's silence in their secret play
as a cloud flits across the copper moon
and the white tail of a deer
flashes beyond the summer-house and disappears into the woods.
THE NATURAL HISTORY OF LOVE
The museum is a woman.
Invisible organisms of dust
crawl with their ancient perfumes
deep
into the cracks of the bones
of my face. And again
in loneliest corners of the basement
the arcane organs of my life
breathe the deadening air.
Her odor attacks my nerve
reaching down the spine
to the bottom of my will.
More than animal,
I harden with love
for the bowels of the woman
I inhabit. The walls
grow hot with habit, or
is it my eyes that glow? What
happens now
shatters the shells of turtles,
opens the jaws of rabbits,
makes man known.
The museum would take my secrets,
yielding only her body, the past,
while
growing ecstatic in her arms
I will see
my life reduced to incense.
Nothing else can touch me.
My stones have dissolved,
my seas are ash.
That was my earth.
Now I am perfect in silence.
MY PHOTO ENDOSCOPY
Note: One feature of getting older is that you learn about medical procedures you had no concept of before. An endoscopy explores the intestinal tract, starting at the throat and ending with the colon. One approach makes use of a tiny camera inside a capsule that you swallow.
The camera inside
its capsule flashes
once a second taking down
the pink interior, looking
for a drool of blood,
a polyp, some white
slash of scar, anything
off, disjointed, freaky--
then why is it so
beautiful in there,
the supple texture of
bubble gum chewed,
and why don’t I feel
exposed as I walk
through my day lit up
inside and intimately
traced—it’s ok,
it’s ok with me,
as that benign bullet
tumbles through--
something new about
growing old, I’m consoled
to be a star in my own
picture show, where
the slow implacable
burn of digestion goes
on without thought,
that process we live by
but know so little about,
like Muybridge’s eye,
stilling odd moments
in a world of motion,
it freezes the stomach,
the small intestine,
blinking on and off,
and at last the colon
like a dreamscape in sci-fi,
the future repurposed
by intelligent worms,
philosophers of the inner
biome, spelling out
the necessary questions
through their wise dialectic
and I wonder How long
is the gut? a couple
of feet? but no, it takes
a half dozen meters
for the small intestines
alone, wound and folded
and full of action
as millions of villi
break down and absorb,
and where now the capsule
like a deep-sea probe
passing through
peers into those cave-like
regions of self, taking
snapshots of that
inner squid and
reaching toward
dark knowledge of where
we come from, where
we’re going, all that
we’d love to know
about that many legged
creature called the soul.
“IN WHICH A TOTAL ECLIPSE OF THE MOON…” was originally published in The Carolina Quarterly
The Natural History of Love was originally published in Poetry Northwest
© 2018 John Morgan
The Natural History of Love was originally published in Poetry Northwest
© 2018 John Morgan
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