My family in happy times. From left, me, Duncan, Sue, Mum, Dad, Jean and Fiona on the ground.
All artists must be brave and this means being prepared to reveal themselves and the truth of their experience, even when that experience is deeply personal and painful.
This suite of five poems is born from love and grief and circumstances for which I have no understanding, although I have searched every night for that understanding. I have concluded that the only answer is simply learning to carry whatever weight of grief they bring and hope that from that grief springs not bitterness but tenderness and compassion.
They stem from my much-loved mother’s secret disinheritance of three of her five children, including me, when she was 88 years of age. The material loss is inconsequential. What has weighed so heavily is what seems to me a betrayal of love. That betrayal involved collusion and seven years of silence and secrets between her final Will and her death.
To grieve for death of loved ones is terrible. Add to that incomprehensible revelation and then grief becomes sustained, deep and truly terrible. It seemed to me that I had not only lost my mother but also who I thought she was. And not just that. The Will inevitably split my family into two.
With the exception of the first poem, all these poems are snap-shots of grieving, not the inevitable anger but the long and difficult process of resolution and acceptance. The first poem, “Mother”, originally published in Verse Virtual in June 2016, was written in the last weeks of my mother’s life. It is reprinted here to provide context. It is a poem filled with love and admiration.
My deepest hope is that all these poems are about love. They are also about sadness. I hope that love shines in their sadness.
Mother.
I watch the rise and fall of her chest, listen intently for her breath, part fearful, part hopeful, waiting for death to come, knowing that life can be lived for far too long. Where is she now? With her much-loved mother? Smelling the rich warmth of the milking shed? Seeing her brothers walking across the near paddock? Let her be anywhere but this diminished and difficult present where vitality is gone, and each day she seems to fade a little more. She wakes. There is a little smile, as if sweetness cannot be washed away, no, not even by the relentless grip that sweeps her inexorably along. Suddenly, seeing that smile, I think of what she was, how she walked through this world in quiet anonymity, a creative spirit, deeply gentle, calm and self-controlled, flexible, open and inquisitive, her heart tempered in love, and bending to kiss her, perhaps for the final time, walking from that place, past the repetitive muttering of the vacant ghosts in their wheel chairs, this sad, last abiding place, my heart is strangely swelling with a sense of privilege and gift; yes, sad that life can come to this but proud and elated to have known her, been nurtured and loved by her, marvelling that my anonymous life can be so rich, so full of blessing, so beautifully filled in its entirety with the wonderful love of women, and raising my eyes heavenwards in silent, sad, complex thankfulness I ask that I can carry her gentleness with me, passing it on to those that I love, yes, setting free her unknown greatness to ripple and wash through and over the countless generations yet to come. Leah. For my loved sister, Jean. I think of you, Leah, your young self standing against tempests in calm control, your artist eye filled with dreams of children in golden forests, sun dance of poppies, moon floating high into the velvet night, foam ripple of waves washing white sand. I think of you, Leah, leaf-fragile, partial, secretive, how you inch in your walker, flop in front of the screen’s mind-numbing monotony, dream of painting again, linger over photographs, shuffle the years and that deceiver, memory, into forms that make you happy. Leah, is it comfort that the gathering tide flowed over you, swept you out into deep calm where great swells gather, far beyond the tears of the living trapped in this tumult, this ebb and flow of waves that pound upon the sand and suck back relentlessly into the ceaseless sea? First published at Peacock Journal. Turned and Gone Away. For my loved sister, Jean. Loved mother, your house, gripped by flood, floats from its foundations, sinking ever lower. You sit on the roof. I cry out to you, swim, throw a rope, beg you to leave but you can only wring your hands, turn and float away. Loved mother, small and diminished, you tremble before a precipice filled with darkness. I cry out that I understand your fears of age, diminished powers, loneliness, the horror that shuffling dependency may lead you into actions once unspeakable but you can only wring your hands, turn and step away. Loved mother, in deep denial you reel from the mirror, truth. You close your eyes and cover your ears. I cry out that I understand how time and circumstance have trapped you, that you have grown far too old for truth, that you need to pretend you still are the wonderful person you once were but you can only wring your hands, stagger and flee away. Much loved mother, you shuffle down a long corridor in the slow and painful way of your last years. I cry out that I understand how extreme age forced you into secrets, deceptions, and, much worse, sad betrayal of some you so loved. I shout I love you and forgive you but the words echo and bounce down the empty corridor. You have ceased wringing your hands. You have turned and gone away. First published at Better Than Starbucks Lost, Without Compass or Star. For my mother, Brenda Lynette Creighton, 1919-2014 I put my hand to the tiller, turn this creaking vessel into a darkly rumbling surge of grief, bewilderment and betrayal, finding in love and forgiveness wind sufficient to fill my little sail and lift me up and over the tumult into water deep and gentle and sorrowfully compassionate. Clouds dissipate. The stars are out. The surge flows smoothly. My arm, steady on the tiller, holds the course firm and true. I know extreme age stole all her best qualities, her vision, judgment, empathy and most especially, honesty. Without vigour to guide her way, she drifted vulnerably across the dark. There are no quiet, protected waters, only sailing on a sea that alternately shimmers or looms. One day, inevitably, the gift of an overflowing surge will come. Best if it arrives before capacity to raise your own sail is lost. She was always gentle and kind. What cast her loose, set her drifting on a last dark voyage that belied all her previous voyaging? First published at Anti-Heroin Chic. What is left? Acceptance. A sad acceptance filling the space that enables the mind to move on. Love too. Love for all those trapped in bitterness, twisted mistakes, errors of judgment, vulnerability, obsessive self-centredness, failure of empathy, loneliness, endless self-justification, deep unhappiness. Joy too. Joy for life- tangle of green, splash of colour, arc of blue, body’s vigour, laughter of children, deep wonder of relationship. And grief. A weight of grief which I learn to carry, grief changing with time but not entirely leaving, grief for loss, grief for diminishment, grief for destruction of precious things, grief for waste, for sad, sad waste. What else can there be? What else can there be? |
Mum, at her 90th birthday celebrations.
© 2018 Neil Creighton
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