November 2017
Kenneth Salzmann
kensalzmann@gmail.com
kensalzmann@gmail.com
After a career divided between working in the arts and working for newspapers, I have arrived at a point where I can spend more time on my own creative work. While I’ve always written and published poetry, I’ve certainly never been as prolific before, and it has never been my primary pursuit before. These days, I live part of the year in Woodstock, New York, and part of the year in a magical pueblo in Mexico.
Marginal Lives
For all we know, or can suspect,
these love lines aren’t worth the paper
they were printed on a dozen years ago--
when “Robert” underlined certain scenes
for “the sexiest trooper in New York”
and underscored their anticipated significance
in neatly Inked notes drawn in the now-musty
margins of this paperback detective novel
we come across on the bargain rack
at the second hand bookstore on Hamilton Street.
“All books all books this shelf twenty-five cents,”
the sign advises, neglecting to say
there are mysteries between these covers
that the author never contemplated
and we will never solve.
Originally published in Memoir
When the Plum Tree Blossomed
No one saw the plum tree this year ease
into its cloak of springtime blossoms
in the same week the forsythia
proclaimed the sun, in the same week
the hospital demanded all the living
we could live muster. No one watched new buds
prepare for lace in the ironic promise
of fruit that will not come in later spring.
There was a year when plums formed and
dropped from this isolated, barren tree
despite the certainties of borrowed science,
and there have been years spent far from
the hospital and far from ironic promises
of a spring that never stops arriving,
each time to blossom and bear fruit against
familiar probabilities. No one saw the plum
tree come into full bloom this year;
Even so, it remains our godly gift
to watch over it while each petal falls
and each tender leaf searches for its shape.
Originally published in Cyclamens and Swords
The Stadium
This is no game, remember,
Because the elevated rumbles still
Through the kitchen smells of each
Wave of ever dark-eyed strangers
Ever cooking up strange dishes
Strangely spiced, and all the while
Slipping strange words
Into the spiced atmosphere
Hovering over 161st Street
To rise above the
Train's insistent jazz,
To swell into an unequivocal
Roar that will be joined by ghosts
As surely as forgotten ancestors
Will never let us go.
America is dark-eyed, too,
Against all its wishes,
And speaks in tongues,
And can't subdue its hunger
For a common language.
Originally published in New Verse News
For all we know, or can suspect,
these love lines aren’t worth the paper
they were printed on a dozen years ago--
when “Robert” underlined certain scenes
for “the sexiest trooper in New York”
and underscored their anticipated significance
in neatly Inked notes drawn in the now-musty
margins of this paperback detective novel
we come across on the bargain rack
at the second hand bookstore on Hamilton Street.
“All books all books this shelf twenty-five cents,”
the sign advises, neglecting to say
there are mysteries between these covers
that the author never contemplated
and we will never solve.
Originally published in Memoir
When the Plum Tree Blossomed
No one saw the plum tree this year ease
into its cloak of springtime blossoms
in the same week the forsythia
proclaimed the sun, in the same week
the hospital demanded all the living
we could live muster. No one watched new buds
prepare for lace in the ironic promise
of fruit that will not come in later spring.
There was a year when plums formed and
dropped from this isolated, barren tree
despite the certainties of borrowed science,
and there have been years spent far from
the hospital and far from ironic promises
of a spring that never stops arriving,
each time to blossom and bear fruit against
familiar probabilities. No one saw the plum
tree come into full bloom this year;
Even so, it remains our godly gift
to watch over it while each petal falls
and each tender leaf searches for its shape.
Originally published in Cyclamens and Swords
The Stadium
This is no game, remember,
Because the elevated rumbles still
Through the kitchen smells of each
Wave of ever dark-eyed strangers
Ever cooking up strange dishes
Strangely spiced, and all the while
Slipping strange words
Into the spiced atmosphere
Hovering over 161st Street
To rise above the
Train's insistent jazz,
To swell into an unequivocal
Roar that will be joined by ghosts
As surely as forgotten ancestors
Will never let us go.
America is dark-eyed, too,
Against all its wishes,
And speaks in tongues,
And can't subdue its hunger
For a common language.
Originally published in New Verse News
©2017 Kenneth Salzmann