June 2017
Poetry is a lonely business, but I have a friend who plays guitar, and when I play bass with him, I find community. My most recent book is In This Place: Selected Poems 1982-2013 and I've had recent poems in Hummingbird, Atticus Review, Hamilton Stone Review, and other literary magazines. I'm honored to serve as managing editor of the Lorine Niedecker Monograph Series, What Region? I blog as The Middlewesterner (www.middlewesterner.com), and have put up at least five little poems a week since mid-2008.
GOOD POETRY
needs air
and light
and space.
It is
what it
is not,
silence
and that
great weight
silence
carries
out from
meaning.
YOUR WORDS
mean nothing
if not for
this longing
along the
western edge
of sky just
as stars come
out. The light
has failed and
here you are.
THE HARSHEST JUDGMENT
That, forty-some years later
his poetry is essentially
unreadable. Is this what
he wanted? He thought what
he was doing was important,
but now we see it wasn't.
It is like dust lifted by wind,
like night without the stars,
like a dull, distant machine
grinding metal on metal
and we've only just noticed.
He's just a bitter old man and
his life has come to this.
TO THE OLD POET
You must let go of
clinging to words, like
the birds singing end-
lessly, your wanting
to mean something when
the black earth crumbles
in your hands, when old
hopes raise themselves up
and the bright flashes
of water and sun
take your breath. Beauty
is. It's that simple.
Let it be. Go on
walking your dream to
the silence that is.
THE OLD POET THINKS OF DEATH
All these years spent compressing words —
am I ready now for silence?
© 2017 Tom Montag
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