July 2017
Robert Wexelblatt
wexelblatt@verizon.net
wexelblatt@verizon.net
I live near Boston and teach philosophy at Boston University. Besides academic pieces, I write fiction when I’m up to it and poems when I can’t help it. I use a fountain pen—my link to tradition—and write to music. I’ve published essays, stories, and poems in a wide variety of journals. My most recent book is Heiberg’s Twitch.
Charming . . . not to invent the world that will be there in the future but to bring into being the mind that will be there in the future. -Howard Nemerov It’s odd how we never think of the prince, as if he weren’t thinking for (I don’t say of) us. It was brave to hack through all those briars—poisoned, weren’t they?—pursuing a rumor of some enchanted, antiquated place, the fantasy of centenarian brains. Had nothing happened in the world? And what of all those festooned skeletons he saw crucified by the game he played? No doubt some family retainer crammed him with fine stories of high destiny; and so, in red-blooded innocence, he went. A truly complex journey, one supposes, attended by perils, sustained by hopes and faith. Yet hopes can be pricked by thorns, faiths wither in the torchless nights. No joke to face annihilation in your prime. But on he came with a mind of the present, to the place of the past, to make his home in the future. Who’d wonder if Gordian perplexity had stayed his hand as he brushed aside the webs and arrases, to wit: “If my future is this past, this past is my future; the present sits upon me like those death-dealing knots of thorns. And these? their present is a century of dust; a defunct future shines in these blank eyes: that scullion still strains to wipe the grease; flames are frozen in the sconces.” Our prince could have been lost among such unlooked-for metaphysical briars. But that one kiss—lucky coincidence—might turn into a magic sword, joining even as it sliced, confirms only the nature of the tale, or the sheer sanity of action. Perhaps we cut our symbols to supposed need, like suits of clothes whose fashion changes with the contingent breeze. And maybe this story’s not about a kiss at all. The Children Inside the Mountain We marched behind him like the fine brigade of infantry we were, proudly measuring our tiny steps to the music that yanked us out of time and town and mothers’ arms, matchless to the sentient ear, sovereign over our bodies. We barely noticed when we passed ponds on which, two months before, we had cracked the whip with reckless glee; we never saw the place where Black Creek joins with River Weser, the rocks where mothers washed while we slid and splashed. The schoolhouse we saw—perhaps because we were free of it. With sidelong glances all we knew we molted. As a frail lady might silence some great oaf with a millimeter’s movement of her brow, so unabashed we forgot our lives because of the awful, splendid, sensuous nudity of a skewering flute. The rats full as big as our abandoned puppies were, after all, our brothers, prey to the same charm of melody, omnivorous like us, like us in nameless ranks, docile. We recall them, how they nosed in our beds, yellow eyes bright in the night, the yellow teeth we saw tearing at us in our nightmares. Gentle Mother, Dearest Father, do something! Please, help us out of love or fear; look at these bites on our legs, we cannot sleep for terror! They loved and feared yet greedily counted out their white silver. They were the children: every human is a child. Then the mountain opened up on hinges, like the portes of Bruges’ castle when troops of mounted knights are being received to chivalrous festival. Who could have known our communal grave would be this alp which had, avuncular, presided over all our bourgeois days? Expectant of syrups, of rock-candy, of chocolate; avid for tarts and lemonade; promises succulent in our mouths; all the forbidden sweet things, down to father’s beer and mother’s bed— with these our hearts brimmed as we defiled into this place more fit for newts than us. Now, on the inside, we all are old, older than even our parents, who have become children indeed. Not that every promise was not kept, not that we didn’t feast and gorge and quaff away our years to reach this unvenerable estate. As the rats might have fed on the catfish in River Weser until even their unappeasable hunger was drowned, so we ate, their forgotten siblings: ancient, but without experience; withdrawn, but merely from our days; escaped, but only to this prison of fading taste; grown into bloated bodies, forgetful elders whose childhoods alone were infested with reality. |
“Charming” first appeared in Southern Humanities Review
“The Children Inside the Mountain” first appeared in The Literary Review
© 2017 Robert Wexelblatt
“The Children Inside the Mountain” first appeared in The Literary Review
© 2017 Robert Wexelblatt
Editor's Note: If this poem(s) moves you please consider writing to the author (email address above) to tell him or her. You might say what it is about the poem that moves you. Writing to the author is the beginning of community at Verse Virtual. It is very important. -FF