January 2017
Tricia Knoll
triciaknoll@gmail.com
triciaknoll@gmail.com
This is the seasons of greetings. Keeping in touch with friends from childhood -- or answering cards you got with New Year's wishes. Me? I send postcards...dozens and dozens all year long. I send a poem to my daughter on a postcard once each week as spiritual education. I search for postcards in every thrift store, tourist souvenir shop, and bookstore. My drawer is, indeed, hard to close and full of images ranging from Big Foot to Zuni snake offering bowls. Website: triciaknoll.com
A Sequence on Postcards
Ode to the Postcard I know you don’t want to hear about it, that fleeting word — e-mail. You who knows that every story has two sides, the words and how you see them in the world even wish you were, I miss you, and thank you for your kindness over tea. You bear extra-special images of antique roses, Wyoming’s wonky jackalope, Inuit line art of the whale, and the photos of motorized skates or Escher’s waterfall from the Museum of Impractical Devices. Oh, I love your flimsiness that invites my right hand to scrawl with no fear of the fingerprint of delete. Go ahead – invite the postal person in the small white truck to flip you over as if you are a pancake destined for a drool of maple syrup. You carry codes between lovers, like my oblique phrase about dachshunds. I scribble to intrigue the federal agent who usually approaches hard-knock mail slots and arched sheet-metal boxes, wary of the mad dog, to sling ads for grocer’s sales or water bills. When all is said and you drop through the slot to the vestibule floor, go ahead – reinvent yourself, a bookmark in the bodice-ripper parked beside the unmade bed. The Poet of Postcards She used to have file folders named for holidays like Halloween and New Years until the desk drawer wouldn’t shut and California redwood trees bellied up to Hello from Chicago. She dreams of picture perfect messages and Transylvanian wisdom or sometimes that she flies airmail with silver linings and sympathies of hope. What I’m Famous For I’m famous for pie dough, light rolled at the edge. Peach, apple, and the mincemeat my brother dutifully eats because I say it is his favorite. I’m famous for certainties about who does not know what for, when or which channel the stream will choose after the next flood. I can point a direction so squarely one way that others nod rather than go rounds to disagree with me. I can outlast anyone on a hula hoop. I’m famous for sending postcards. I write on the back of the images the world offers, a panorama down the Columbia River Gorge or the lithograph of a girl fleeing a courtroom crowd to net a butterfly before it scoots out an open window. Who else sends handwritten snippets of poems to the man who tiptoes into my yard to steal a ripe tomato, or the naturalist who wrote an obit for a wolf named Romeo? I say I keep a clean house; what I mean is that my garden has no weeds, nothing invasive choking out the good will of foamflower. I do not count clots of dog hair that catch on the corner of the tansu, or the sheets that have gone a week or two too long since washing. I mean pure and simply that my clean house is a garden I invite you into. Curl through my paths, relish moss on recycled bricks, wonder why no bat has moved into the bat house. I offer rose verbena tea. I am famous for being too serious, which means gullible when you live with jokers who make goofy puns or tell hoodwinking stories and pull a straight face as if sincerity and honesty live on one weighted side of a duplicitous coin. I have written my elegy. I encourage you to do the same. There is no knowing what people will say if you don’t say it first. Selfie Elegy The words I’d like to have spoken won’t be. My accomplishments — the captive coyote bite on my cold neck tracing lichen on a boulder at Lake Beautiful my fishnet dress jumping waves on Long Island Sound sunset poems embracing the Pacific’s weeping dogs who came when called riding the pregnant cow A daughter will be sad and the best of my days. My men not surprised to find me gone, she who runs away. The congregation will sing a swaying song while the wind-up hula-hoop doll dances near a platter of gluten-free fudge. There may be peach-and-cream roses. The words may not be mine just pretty ones like butterflies mounted in a glass box. Who will line up my Zuni fetishes made of coal pressed to jet to testify to secret lives in my apple-green corduroy pockets of coyotes, wolves, the noble Appaloosa, red birds and lady bugs or tell the story of the cougar who bounded off a granite boulder, stretched in a dusted sunshine into message winds that blew my world away? |
©2016 Tricia Knoll
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